Realistic Westerns?

 


One of the best quotes on this topic I’ve seen. I couldn’t agree more.

 

 

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‘A Sidekick’s Tale’ by Elisabeth Grace Foley

Hello folks! I have an exciting announcement! This year I’ve had the pleasure of working on illustrating a book with pencil sketches for one of my favorite authors: Elisabeth Grace Foley.

The book’s name is A Sidekick’s Tale and it’s a rollicking western tale of humor and romance–much in the style of the great P. G. Wodehouse.


Meredith Fayett needed to marry someone before the week was out or she would lose her ranch.  It sounded simple, so ranch hand Chance Stevens agreed to take on the job, in spite of his friend Marty’s warnings that it could only lead to trouble.  But even Marty, a loyal though opinionated sidekick, couldn’t have predicted the mayhem that ensues when his own eccentric relatives appear on the scene, dragging Chance, Marty, and Meredith into the latest skirmish in a long-running family feud.  What follows is a hilarious tangle involving an emerald ring, a fearsome aunt, a scheming suitor, and a team of runaway mules—by the end of which Chance finds that even a marriage just on paper has its complications, and that it never hurts to have a good sidekick.


I thoroughly enjoyed this tale myself, and didn’t want to stop until it was finished. I read the first chapter by myself, then, because I’m of the firm opinion that such laughter-filled stories should be read aloud whenever possible, I finished it with two dear friends– amidst much giggling, chuckles, and laughter.

Do your family and friends a favor and lighten their day with a crazy western spoof written in grand style. It’s enjoyable (especially for the one who gets to do the reading aloud 😉 ), and the delightful story leads to much laughter that is refreshing and excellent for one’s health.

Amazon: A Sidekick’s Tale

It can be found on Goodreads (along with some reviews) HERE

And be sure to check out the author’s website www.elisabethgracefoley.com and take a look at some of her other books (they make excellent Christmas gifts)— “Mountain of the Wolf”  is one of my personal favorites!


 I leave you with a quote from the book 🙂


“Marty, do you know what I am?” was how he greeted me when I got near him.

I considered several possible answers, but none of them seemed likely to go over well, so I compromised with the usually-safe query, “What?”


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Black Saddle~Client: Neal Adams

The Black Saddle, episode Client: Neal Adams

The Black Saddle TV show starring Peter Breck was one of the many black and white western shows from the 50’s. Clay Culhane (Peter Breck) is a gunfighter turned lawyer.

This episode, Client Neal Adams, is from 1959.

Synopsis:

A bleeding cowboy, Neal Adams (James Drury), stumbles into Clay Culhane’s office, an old friend he hasn’t seen in years, and claims to have been shot by a vengeance-seeking man who is trailing him. Clay is delighted to see his old friend, and agrees to help him hide out, but is puzzled at Neal’s insistence that he doesn’t want a doctor. Clay and his sweetheart pull the bullet out of Neal and let him bunk in the back room of the office.

Then Clay discovers a wanted poster that tells another tale, proving Neal a wanted man. He’s left with a moral choice to face; either standing by his friend or turning him in to the Marshal.

And what if it comes to gunplay? Would he be willing to gun-down an old pal over a simple robbery? Is his duty to his friend or to justice?

This episode is nothing noteworthy in the world of western TV shows. It’s only 30 minutes, low budget, and simple.  But it is a classic tale of moral tests and a good man whose choices are grounded on right–not his desires or feelings.

That’s a very common theme in westerns.  A man faced with a dilemma who has to stand up with boldness and choose to do right despite his personal desires and the painful repercussions to himself and those he cares about.  Many westerns incorporate that theme in a far deeper, poignant, and telling way than this show.  Though the theme is well present in this simple episode, it’s not fully developed as in your typical “A” western film.

For me, as a Virginian enthusiast, 25-year-old James Drury was one of the most enjoyable parts of the show.  I loved getting a chance to see him in this sort of a role, which he pulled off splendidly. I enjoy watching a western actor play an uncustomary character type. When you’ve seen an old western actor play a good guy in his own TV show or films, it is always amusing to see him take on a bad guy persona (though it’s hard when a favorite takes on a mean role, like John Wayne in Red River!).  It’s fun to see how far the skills can stretch–just how many character types they can cover and still be believable. I actually think James Drury was more believable in this role as Neal Adams than in many of the episodes of The Virginian.

Quiet, dark-haired, and with a half smile covering his pain, he is the picture of a gunfighter. Neal Adams in this episode reminds me of the characters in Louis L’Amour’s short stories, and it’s some of James Drury’s acting at it’s best.

Peter Breck is also fun to see in his starring role, he is a far cry from the hot-tempered, shouting, fighting “Nick Barkley” that most of us know him as.

The scene of him “operating” on Neal Adams with his unusual method for dealing with his patient’s pain, and a smile on his face would lead me to question, as Neal did:

“Had much experience along these lines, Clay?”

It’s a fun scene.

All in all it is, as I said, nothing noteworthy in the world of western episodes.  But it is a simple, solid story of good guys triumphing over bad guys.

And for all the James Drury and Peter Breck fans, it’s certainly worth watching.

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Happy Birthday to James Drury!

Not all the good guys wore white hats.

James Drury, best known for his role as ranch foreman in The Virginian,  typically wore a black cowboy hat. And continues to do so to this day.

The laconic, lanky, and dark haired cowboy made many appearances in classic western shows, including Gunsmoke, Cheyenne, and The Rifleman.  However, many of his roles in the lesser known shows, like The Rebel, The Range Rider, and Black Saddle, most folks have never heard of.  It’s been my tradition to review one of his shows or films around his birthday week (you can read last year’s review Ten Who Dared here), and this week it’s going to be one of those little known episodes, so stay tuned!

James Drury played many roles through the years, but to most Americans he will always be known as “the Virginian,” “Ramrod,” or “Boss Man” –the man with no name.

Wishing him a very happy 83rd birthday!

(the above portrait is for available for purchase here!)

“If there’s a wrong; you fight it. If you don’t you become part of it. That ain’t so hard to understand, is it.”

~James Drury, in “The Virginian”

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Westerns At Their Height?

Everybody talks about the “heyday of the westerns” and the time when they were at their peak.

I have loved westerns for as long as I can remember and have seen hundreds of them. There is something in me that delights in seeing strong men, beautiful women, horses, blazing guns, comradeship, and daring courage on the silver screen.

I love the stories of morals, character, and good triumphing over evil. Stories chock full of men who did what was right in spite of intense pain, men who had not only grit, but also the sound moral judgement and discernment that enabled them to meet the challenges and tests thrown at them with boldness. The fight of a man with courage who stands up for justice and truth against evil men and ideas never looses it’s appeal to me. Westerns are wonderful films.

When you’ve watched a broad variety of western films you start to see patterns.  I’ve watched western films made in 1903 and in 2016, and everything in between.  One thing that I noticed is that different elements (and worldviews) were at their peak in different decades— and that all the elements of a fine western film are seldom present at the same time in history. Or in the same film. Which makes it very hard to pick a certain time that westerns were at their best.

Not popularity or quantity wise, but in quality–the BEST films.

Everyone has differing preferences on this, below are my general opinions.  Do keep in mind that there are many exceptions to each of these..they are more of an average rather than a hard and fast rule!

  • The color of westerns was at it’s height in the 50’s and 60’s–take Rio Bravo, Hondo, The Tall T, or The Comancheros as fine examples of the best of western lighting. They captured the very atmosphere and mood in a way that I’ve seldom seen equaled–especially in Rio Bravo (which I hope to review someday). One notable exception to that is the 1941 Randolph Scott film Western Union.

 

  • The music of westerns was at it’s height in in the 60’s with Elmer Bernstein’s breathtaking scores.

 

  • The B-films were at their height in the late 30’s and early 40’s. By the 50’s they were far inferior to their precedents.

 

  • The singing cowboy films were at their height in the 1940’s. The 30’s films were fun, just not quite as good, but the 50’s singing cowboy movies were quite poorly done.

 

  • The humorous character-actor side-kicks were at their height in the 30’s. 🙂

 

  • The most skillfully crafted stories (plot, style, etc.) were at their height in the 40’s and 50’s.

 

  • The moral heroism and character of the protagonist was at it’s height in the 30’s and 40’s (partially a result of the production code…but also a result of the worldviews at the time)

 

  • The originality of the situations that a cowpoke found himself in–and the unusual type of his subsequent solutions was at a humorous peak in the 1910’s-the late 1930’s.

 

  • The height of attention to authentic nitty-gritty detail is the specialty of the 1920’s (in locations, clothes, and and actions) and the 2000’s and 2010’s (in props and wounds)

 

And my list could go on for a long time…

I greatly prefer older westerns– 1970’s and before. But out of those older films it’s hard to choose.

In the end there is something perfectly beautiful and wonderful that I’m terribly fond of in almost every one of the old decades…something that I would be loath to part with. And once I finally decide on “the era of the best westerns” I end up watching a film from the decade previous and falling in love with the techniques and fine stories of valor in that era. So, I just appreciate each decade for it’s strengths…and as of yet have not decided which decade I think represents the western at it’s best.

Maybe someday I will.

What do you think of my list? Would yours differ? In which decade do you think westerns were at their height?

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The Never Seen “Katie Elder” ~ The Sons Of Katie Elder


The whole valley was influenced by this one good woman who lived a noble life.

The Sons of Katie Elder is a fun western film about John Elder (John Wayne) and his four brothers who get together for the first time in years at their Mother’s graveside.  They start off on a treacherous adventure to right past wrongs, and end up deep in trouble under the western skies.

There is a lot I could say about the film itself, but I’m not here to review it today. This post is just about one of the many people in the film. It is a character sketch of sorts of Katie Elder, the mother of the four western men. (light spoilers below, if you haven’t seen the film you may want to stop here)

I find her one of the most fascinating aspects of the film, and I must admit that she has caught my imagination so much that I once watched the whole film just looking for the ways she impacted her family, town, and the community at large.

That is nothing short of remarkable when you realize that she does not appear on the screen once throughout the entire film, nor is there a line of her dialogue. As a matter of fact, she is dead before the opening credits roll. Yet nobody had more of an influence on what occurs in the film than she.

So, about Katie Elder.  From the film we find that she is an unassuming, humble woman who was devoted to her family.  She placed great value on her husband’s name and cared deeply about it’s reputation before and after his death. Her sons were all wayward men who went off on their own, leaving her to fend for herself in her old age.  Her neighbors obviously thought highly of her and would have been glad to support her, but she was industrious and worked for her own bread, shunning the easy life of welfare and taking pride in her work and responsibilities.  After her ranch and land were gone, she rented an old shack on a friend’s land and quietly lived out her days.

“Katie Elder, a woman beloved of all, a hardworking, honest woman, she helped in Your work, O Lord, in a thousand ways. She was a friend to all, a comforter to the sick. She has left this world a little better for having lived in it. Those who knew her, and loved her, are better for having lived in the warmth of her understanding. Katie Elder lived here in Clearwater for many years, all of us gathered here today knew her well.  She raised four sons John, Tom, Matt, and Bud, the youngest. She was a woman who wanted nothing for herself, wanted to give rather than receive. She devoted her life to helping her family, her friends.”

As her wild sons come to town to settle her affairs and collect any inheritance that might be left them, they begin to see her for the first time in the reflection of her live and love in the community.  This woman that they had deserted was not only highly respected, but had done much to minister to the valley and influence the area for good. They found that Katie was debt free and lived cheerily within her means, thought that meant she only had two dresses to her name (she did have some ambitious entrepreneur projects underway…).

I love watching the brothers slowly change as they are touched by what they see of their mother’s kindness and character.  The little things about her start to get to them, and they realize that her neighbors have honored her name and given her more of a tribute than they, her own sons had. So they determine that one of them “ought to amount to something” and be a monument to what a great lady she was.

The thing that gets to me about Katie’s story is how a mother changed her sons through the legacy she left in the lives of her neighbors.

Her sons were off “making a name” and life for themselves as gamblers and gunfighters. Yet she kept up heart and faithfully ministered to her neighbors and community.  Years passed, and she died, her wild sons returned, and the valley that she had once influenced with her integrity, love, and care, in turn influenced the lives of her sons.

She probably had no idea that the countless hours she spent serving and loving those around her would someday come back around to her own children.

The far-reaching impact of one person on this world is such a great theme for a story.  The film “It’s a Wonderful Life” is a prime example.  Of course, in “The Sons Of Katie Elder” it is not as boldly shown.  It is subtle, powerful, and masterfully woven into the far-off background of the story where you don’t notice it much, unless you’re looking for it.

So next time you pull out this film to watch it again, look for the hints of Katie Elder’s influence, you may be surprised just how many there are.


 

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New In The Shop~ “Western Pines” Winter Christmas Stationery!


Combine tangy pine branches, pine-cones, paper, and steaming coffee: the result “Western Pines” stationery.

Click HERE to see it in the shop!

Perfect for winter letters and spreading holiday cheer!



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Western Stationary~New In The Shop


westernnotepaper-thewesterndesk-manlystationary-westernletterwritingsupplies-coffeestainedstationaryWhen you open a package of this western paper, the faint aroma of warm coffee is lingering there to meet you.

A golden hue and the faint smell of coffee are the signatures of this new writing paper.

Every piece is carefully stained with coffee, dried, and then hand stamped with an original artwork stamp of a saddle.

Makes great note paper as well as stationary. It has a lovely aged appearance and texture, almost as if it has been sitting in a dusty cow-town for years…

Have you ever noticed the golden paper that is forever being delivered in old westerns? The faded envelope in the cubbyhole at the hotel, a will in an old ranch house, the worn, stained, and golden-hued paper the hero pulls out of his shirt…

This writing paper captures that golden, aged, warm tone. It is a world different that the sterile, white, bleached look of today.  It looks like old Mexico, a miner’s map to the mother-lode, and old wanted posters.

westernstationary

Paper Specifications:
~It comes in a set of 25 sheets
~Hand Stamped
~Original Artwork
~Golden toned (may vary slightly from batch to batch)
~Stationary size: 8.5 x 5.5 inches
~Works excellently with pen, pencil and fountain pen

 

coffestainedwesternstationary

Head on over to the shop and take a look!:  “It’s a Cinch” Western Stationary

Whether you’re sending it by stage, with the next stranger that passes by on horseback, or by the good ‘ole postal service this paper is ready for the trip and sure to be admired by the lucky recipient!



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Coming to the shop…


WesternStationaryPaperI’ve been working on developing a new product, and it is coming to the shop later this week! Stay tuned for details when it’s released!



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The Era of Silent Westerns~Will Rogers


I have a fondness for silent westerns, the old-fashioned stars excelled at those pioneering cowboy films and made all manner of them including western comedies like this clip from an old 1922 Will Rogers film titled “The Ropin’ Fool”

I found the scenes in the above excerpt very helpful when I was doing trick roping for a few years, and it is always fascinating to see what the westerns were like in the early days, and how the later ones grew and changed–but still retained some of the classic patterns developed by the early directors and actors.  The earliest western film was made in 1903, so by the time “The Ropin’ Fool” came out they had had almost 10 years of experience. Not long at all considering they were building everything entirely from the ground up!

Have you ever watched a silent film? What’s the earliest western film you’ve seen?



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